
Holliday Lumber Company, Photo by Henning Svenson
William Helmus Holliday (1843-1925) came Colorado in 1865 at age 22 and worked for
a freighting company. In 1867, he was employed by a timber company at Sherman which he was
able to buy with his brother Jethro Holliday and William R. Williams. The
company provided the lumber for much of the construction of Greeley, Colo.
Within two years he was able to buy out his brother and Williams and moved to Laramie.

W. H. Holliday Company, corner of 2nd Street and Garfield, looking southeast, photo by Henning Svenson.
In 1886, the W. H. Holliday Co. was incorporated. The building
depicted cost $30,000 to construct. Ultimately, the business grew to occupy the entire block
between 2nd and 3rd and between Garfield and Custer. Holliday was active in Democratic Party
politics and served in the Territorial Legislature and was the Democratic candidate for
Congress and ran for governor in 1894. The building burned on April 14, 1948.

Albany National Bank of Laramie, 2nd Street, approx. 1920, photo by H.
Svenson
The Albany County National Bank was chartered in 1887 as the "Albany County National Bank of Laramie City and
changed its name to the "Albany National Bank of Laramie" in 1918. Additional views of the Bank
may be seen in the views of 2nd street below.
Svenson came to the United States from Germany in
1903 and joined his brother John Henning in Omaha in 1905. In 1905, he
opened a photography studio in Laramie. In addition to studio photographs he
made a number of photos in the 1920's documenting Laramie and its area.
The studio is still in business, operated by the fourth generation of the
same family. The American Heritage Center at the University of Wyoming maintains
over 20,000 negatives of photographs taken by the family. In addition to
photography, Svenson was a beekeeper, gardener and raised Belgian hares.

Second Street, approx. 1920, photo by H. Svenson

2nd Street, photo by H. Svenson
Located on Second Street, north of Ivenson Aveune was the Empress Theatre, Laramie's first movie palace.
During the days of silent movies, the theare featured its own orchestra to provide additional
thrills to the action upon the screen.

Empress Theatre, Second Street, undated.
The theatre was constructed in 1912 and opened in 1913. In 1938, it temporarily closed for
remodeling and reopened in 1939 at the Fox Theatre with the front facade redone in an
art-deco style.

Fox Theatre, approx. 1940.
The Fox fell on hard times. It closed in 1975. Its roof went into a state of partial collapse, the
building occupied only pigeons. The pigeon droppings on the auditorium floor were a foot and a half deep.
Those entering the theatre were required to wear hazardous material suits.

Fox Theater, Second Street, 2005. Photo by Geoff Dobson
In 2008, due to danger to pedestrians, the sidewalk and parking spaces in front of the theatre were blocked off.
In the fall of 2009, the City completed demolition of the building.

Grand Avenue, looking toward intersection with 2nd Street, approx. 1920, photo by H. Svenson
A review of the 1880 census for Laramie indicates that there were at least three such facilities on
Front Street, a white facility owned by Lizzie Palmer and two mulatto facilities. Additionally,
the census also reflected that were three soiled doves on 3rd Street. The census is unusual in that it
clearly shows the professions of the various doves. The entry for Lizzie Palmer shows
occupation as "Keeping House of Ill Fame." Normally, in most towns the census merely reflects the
inmates of such establishments as "keeping house," "actresses," or "boarders." Thus, in the 1870 census for
Cheyenne, the famous madam Ida Hamilton is shown as a "housekeeper" and the remaining residents of
the house (excepting the cook) are shown as "dressmakers." However, the Cheyenne census for 1880
was also an exception. There,
although Ida Hamilton is shown as "keeping house," no doubt is left as to the
profession of the remaining seven female inmates of Hamilton's establishment.
It has been contended that Laramie tolerated
the existence of the facilities as a revenue raising measure by collecting fines of $7.00 and $7.50. There
were repeated arrests and fines for Sophia Riccard a resident of 3rd Street, but any belief that the
City fathers were merely using the situation to raise money is speculation. Just as likely is that
there was a difficulty in obtaining convictions or adequate fines under the territorial laws.
In 1873, Cheyenne's famous madam, Ida Hamilton, as an example, was prosecuted in the District Court for
Laramie County and found guilty of "keeping and maintaining a lewd house,
for the practice of fornication." She was sentenced to four months in the Laramie County Jail by the district judge.
On appeal, the case was reversed on the basis that Hamilton was entitled to have the
sentence determined by the jury. Hamilton continued to operate her house. In 1879, one of the
clients attempted to murder one of the inmates, Ida Snow, by choking her. Snow's screams aroused
others in the house and her assailant Edward Malone was shot to death by Charles Boulton. The death of
Malone was found by the jury to be justifiable homicide. Mrs.
Snow recovered from her injuries and as shown by the 1880 census was soon back at work. Snow is, perhaps, an example of the
difficulties of widowhood in the 19th Century. Snow, an Irish immigrant, was widowed by age 27 and was,
thus, apparently forced, far from home, into a life of degradation and shame, to die "unknelled, uncoffined, and unknown." [Lord Byron,
Childe Harold, Canto iv, stanza 179.]
Certainly other cities elsewhere did use the keeping of bawdy houses as an oppotunity to enhance municipal revenues.
Thus, notwithstanding that a Texas law made illegal the keeping of bawdy houses, San Antonio, the
home of Fannie Porter, hostess to members of the Wild Bunch, actually issued licenses for keeping of
such facilities. Ultimately, the Texas courts held that the ordinance providing for
licensure was itself illegal. One madam after finding out that
the City licensing ordinance was invalid, sued to get back her
$500.00 licensing fee.

Grand Avenue, 1918.
Music this page:
Take Your Girlie to the Movies.
(On the mighty Hammond, courtesy of Horse Creek Cowboy)
Beatrice Fairfax gives advice,
To anyone in love;
That's why Johnny Gray,
Wrote to her one day;
'When I call to love my girl,
Her folks are always there;
That's why I'm blue,
What shall I do?"
And Beatrice said, "never despair"
Sweethearts always used to spoon,
In a big morris chair;
Young folks of today,
Have a different way;
Far away from cranky dad,
And mother's eagle eye;
It's lots of fun,
Here's how it's done,
So come on and give it a try.
Take your girlie to the movies,
If you can't make love at home;
There's not little brother there who always squeals,
You can say an awful lot in the seven reels.
Take your lessons at the movies,
And have love scenes of your own;
When the pictures over and it's time to leave,
Don't forget to brush the powder off your sleeve;
Take your girlie to the movies,
If you can't make love at home.
Take your girlie to the movies,
If you can't make love at home;
Pick a cozy corner where it's nice and dark,
Don't catch influenza, kissing in the park.
Take your lessons at the movies,
And have love scenes of your own;
Tho she's just a simple little ribbon clerk,
Close your eyes and think you're kissing Billie Burke;
Take your girlie to the movies,
If you can't make love at home.
Writer's note: "Dear Beatrice Fairfax" was the original "advice to the lovelorn" column written for Hearst's
New York Journal. The original column was written by Marie Manning (1872-1945) and served as a precursor
of similar columns such as "Dear Abby" and "Ann Landers."
Next page: Cheyenne.
|